Archive by Author

The Personal History of Rachel DuPree

19 May

The Personal History of Rachel DuPree by Ann Weisgarber was originally published in 2009 when it was also shortlisted for the Orange Award for New Writers. I first knew of Ann Weisgarber due to the publication of her latest novel The Promisefirst review ever published here! - and since then we have remained in touch. When The Promise came out last March, I wanted to review her other novel and was kindly sent a paperback edition by Sophie from Mantle.

the-personal-history-of-rachel-dupree-tour-photos1

From Goodreads:

When Rachel, hired help in a Chicago boardinghouse, falls in love with Isaac, the boardinghouse owner’s son, he makes her a bargain: he’ll marry her, but only if she gives up her 160 acres from the Homestead Act so he can double his share. She agrees, and together they stake their claim in the forebodingly beautiful South Dakota Badlands.

Fourteen years later, in the summer of 1917, the cattle are bellowing with thirst. It hasn’t rained in months, and supplies have dwindled. Pregnant, and struggling to feed her family, Rachel is isolated by more than just geography. She is determined to give her surviving children the life they deserve, but she knows that her husband, a fiercely proud former Buffalo Soldier, will never leave his ranch: black families are rare in the West, and land means a measure of equality with the white man. Somehow Rachel must find the strength to do what is right-for herself, and for her children.

Reminiscent of The Color Purple as well as the frontier novels of Laura Ingalls Wilder and Willa Cather, The Personal History of Rachel DuPree opens a window on the little-known history of African-American homesteaders and gives voice to an extraordinary heroine who embodies the spirit that built America.

One of the things I pay attention when reading reviews is whether the blogger refers to the time it took them to read the book. I think there are books that capture your attention and don’t let you go. This is one of them: it only took me 5 days to read it despite the tough story it tells. You want to know about Rachel – her past, present and future – while at the same time you struggle with the story. The Badlands in South Dakota are as dry and arid as you can think. There are moments when you fear sand is actually falling out from the book and you feel your mouth going dry.

Regarding the historical period, I had never heard of African-American settlers and their stories in the frontier. But neither did Ann before a trip to the Badlands. There, she saw a picture that inspired her to write this moving debut novel. Somehow, for most readers the frontier stories are exemplified by Willa Cather and her novels such as O Pioneers! Weisgarber’s story has very much in common with Cather in that they both create strong, female main characters. They have families but they find themselves alone and fighting a place that seems keen on expelling them. They also struggle with fellow settlers and their perception of women: Alexandra from O Pioneers! becomes a powerful landowner after a lot of years fighting against what they believe she should be which is basically a wife and a mother. Rachel DuPree is a wife and a mother but she is also a landowner and never lets the Badlands defeat her desire for a better life.

Another key theme is racial segregation. In Chicago, Rachel’s parents in law were relevant among the African-American community, but her husband has the need to prove himself equal to white landowners. He is usually reminding Rachel of the need to acquire more land to become a powerful man and how people are not used to to seeing a black man owning so much. Rachel’s response throughout the novel questions how far would her husband go to fight racial stereotypes and how it would all affect their family. I think this was the most interesting theme in the whole novel: Rachel not only is African-American, but she’s also a woman who makes her doubly subjected in an era when women were not allowed to vote and her ancestors – still alive like her grandmother – were born slaves.

One of the suggested questions for book clubs is whether The Personal History of Rachel DuPree is a feminist novel or not. I think the fact Ann is giving voice to an African-American woman in the frontier already makes it a feminist novel. As I said before, the idea of black settles had never crossed my mind and they are definitely not properly inscribed in history books. But Rachel is also a strong woman and more importantly, she allows herself to change. The Rachel you encounter in Chicago has nothing to do with the one that desperately prays for some rain at the beginning of the novel. The Badlands made her a resolute, powerful woman but also more humble, sensible and sensitive.

I would recommend The Personal History of Rachel DuPree to everyone who is interested in frontier stories, but especially to those who have already read Cather’s novels. Weisgarber novel provides a very different yet very similar point of view. Despite the ethnic difference, Alexandra and Rachel are both women, they are both human beings who struggle against one of the most difficult situations in American history. But beware! The story is a hard one and it may be useful to keep a box of paper tissues near you while reading!

Two Books I Give Up On

16 May

I’m not one for giving up on books. For many reasons, but mainly, a book is someone else’s project. Someone had an idea and worked hard on it: wrote it, got an agent, got a publisher, finally got it published. And then the book finds its way to you as a reader. But these two, I just couldn’t bear to turn another page. A little voice inside me cried every time I sat to read them telling me there is a pile of books with which I’d rather spend my time with:

1. The Pleasures of Men by Kate Williams.

tumblr_m2dg4kW4EI1r2m8kw

Everything in this book made it sound like a perfect read: Victorian London, murders, a female main character and behind the story, a well-known, respected and young British historian. But it was too dark, too twisted and don’t get me wrong, I’m all for dark and twisted but I feel they need to make sense, fit into the story and have a motive. Not that I could find any of that in this book. I was really sorry to feel this way since I myself requested it.

2.There Once Lived a Girl Who Seduced Her Sister’s Husband, and He Hanged Himself: Love Stories by Lyudmila Petrushevskaya

1359992514542.cached

I didn’t request this one, the publisher did, and I thought it would be a great idea to read something not-so typically romantic this Valentine’s Day. Well, it’s May and I had only read half of it and didn’t intend on keep on reading. Of course, I see they are supposed to be ironic love stories, but I just couldn’t see it. The women in them were constantly abused, subjected and suffered because of their children: either because they chose to sacrifice themselves or because they follow society’s rules. Not my cup of tea at all.

Behind The Scenes At The Museum

13 May

Behind The Scenes At The Museum is Kate Atkinson’s first novel – originally published in 1995 – and winner the 1995 Whitbread Book of the Year. The following is a SPOILER FREE review. Enjoy!

9781846572357

From Book Depository:

Ruby Lennox was conceived grudgingly by Bunty and born while her father, George, was in the Dog and Hare in Doncaster telling a woman in an emerald dress and a D-cup that he wasn’t married. Bunty had never wanted to marry George, but here she was, stuck in a flat above the pet shop in an ancient street beneath York Minster, with sensible and sardonic Patricia aged five, greedy cross-patch Gillian who refused to be ignored, and Ruby…Ruby tells the story of The Family, from the day at the end of the nineteenth century when a travelling French photographer catches frail beautiful Alice and her children, like flowers in amber, to the startling, witty, and memorable events of Ruby’s own life.

First of all, no site offers an attractive description of the book. I was very reluctant to read it at first because somehow it did not fit the image of Kate Atkinson as a writer that I had in mind. Shame on me for doubting the always-masterful Atkinson! Behind The Scenes At The Museum is a really good book, a great one, and probably even better than any other of her novels except for the recent Life After Life. Actually, the themes in this book -and the complex family relations, draw a family tree when you read them both !-  hint at the seed that will later on produce Life After Life. There are moments when you can feel Ursula’s ghost wandering around, waiting for her time to arrive and become a main character herself. But Behind The Scenes At The Museum belongs to Ruby:

“I am a jewel. I am a drop of blood. I am Ruby Lennox!”

The story begins on Ruby’s conception which is a quite unusual way to start a novel, and might I add quite a polemic one in a time when abortion and conception are widely discussed. I was not at ease with the idea, but since I was between the safe boundaries of fiction I told myself to simply enjoy the story. Ruby’s story seems typical of anyone born in a middle-class family in the 1950′s in England, but as the plot progresses we find not everything is what it seems. Ruby is totally aware of what is going on around her even though she is a baby. In fact, her character shifts easily from being an omniscient narrator to a what she really is: a child. It is this contrast what makes the novel so special and innovative, and also what keeps you engaged. With such duality she explores her parents’ marriage and her relationship with her two older sisters: Patricia and Gillian. I said the novel belongs to Ruby because it truly does, but it explores the life of the women from whom she comes: her mother, her grandmother and her great-grandmother. Some would say they are different stories, but the fact they are a family and the plot only focuses on the women in that family is extremely relevant. This creates a familiar identity that influences our personal history, that is, one is partly what it is thanks to their ancestors. As a consequence, it is not strange to find uncanny resemblances between the four generation of women despite the relevant economic, social and cultural changes that separated them.

Because of its focus on women – late 19th century and 20th century herstory - the book covers a wide range of themes extremely important in women’s history and sadly, still fought for nowadays. The supposed need to marry, the impossibility of getting contraceptives, gender roles and The Angel in the House, violence, personal frustration, lack of opportunities in the outer world (college, jobs), the constant and prevalent fight between science and humanities and above all, what being a woman meant, not for oneself, but for the others and mainly, what it meant for men.

After such a description, what more can I say? I loved the book yet I found it extremely sad that some issues dealt with are still present in my life. This is poignant, moving book. It’ll move you from tears to laughter in a single chapter. It will make you love and hate the very same character in the same sentence. But, if you are a woman this book will resonate with you and the stories you probably heard from your mother, grandmother and great-grandmother. Sadly, some of it could also resonate with your own life now in 2013, but this is why books like Behind The Scenes At The Museum are so important and so wonderful. They remind us of our past and also of our present, but they also remind us of our future and how we are building it every day and need to so in a conscious and constructive way. If possible, always a feminist way.

Some quotes I knew you would love:

“The past is what you take with you.”

“But I know nothing; my future is a wide-open vista, leading to an unknown country – The Rest Of My Life.”

“In the end, it is my belief, words are the only things that can construct a world that makes sense.”

Top Ten Topics That Instantly Make Me Pick Up A Book

30 Apr

Another Tuesday, another Top Ten Tuesday by The Broke and the Bookish!

TTT3W

Top Ten Tuesday is an original feature/weekly meme created here at The Broke and the Bookish. This feature was created because we are particularly fond of lists here at The Broke and the Bookish. We’d love to share our lists with other bookish folks and would LOVE to see your top ten lists!

Today’s list will be pretty obvious to those who know me.

1. Kay Scarpetta. - Have I mentioned I’ve fallen in love with her? She’s smart, she is a doctor, she solves crimes, she has a gun, she is always busy and tired and overworked. I can relate to some of the latter!

2. Serial Killers.-  The likes of Zodiac (2007) and most of the bad guys in the Scarpetta series are like this. Their cases are usually full of psychological analysis and lots of tension.

3. Dark main characters.- Crime fiction has evolved enough so as to leave room for dark, twisted main characters with whom we end up sympathising wich obviously calls for some introspection.

4. Anything by Kate Atkinson.- I think I’m on the verge of becoming obsessed  with her works. Not that I find anything wrong with that though.

5. Complex, undervalued female characters.- It could be historical as in Margaret Atwood’s Alias Grace where the main character is a Canadian supposed killer (You should read this book if you haven’t yet) or fictional as if someone revisited the American Colonial era from a female point of view.

6. Women’s history in the USA.- I’ve long wanted to read a bunch of non-fictional works where the role of women in American history is explored. I started and loved The Plantation Mistress although I didn’t have time to finish it.

7. Philosophical and psychological issues.- I really loved my philosophy lessons in high school and as a consequence I tend to fit in as much philosophy as I can in between my fiction readings. My latest discovery is The Black Swan by Nassim Nicholas Taleb.

8. Nordic crime fiction.- It’s been quite popular since Larsson’s The Girl with the Dragon Tattoo became a global success. Ever since, our bookshops have been flooded with Nordic crime fiction, some of it pretty good!

9. 19th century novels by women.- I’m thinking of Wüthering Heights, Cranford, Jane Eyre, Mansfield Park etc. Can you believe I still haven’t read Middlemarch?

10. Any combination of the above!

Almost English

28 Apr

I first heard of Almost English by Charlotte Mendelson- as I’ve been doing of lately of every book – via Twitter. Her publicist, Camilla Elworthy kindly offered to send me an advanced review copy as soon as I got all excited about the immigration theme in the book. And finally, after looking for the perfect moment to read it, I finished it last week among the chaos of an all-afternoon-and-evening course.

almost-english-978144721997201

Almost English tells the story of Marina and her mother, Laura, in 1988 London. It would be your regular come-of-age novel if it wasn’t because of Marina’s origins: her father’s line comes from Hungarian migrants. She and her mother live with Marina’s grandmother and all her grand-aunts with strong Hungarian accents and a strict silence policy regarding WWII and the reasons they migrated from Hungary. Little is known about their past. And talking about their present is not different either: the whole family struggles economically after Marina decides to enter a private school (known as “public schools” in the UK). But she’s not as happy as she thought she’d be…

As I already mentioned on Twitter, I have mixed feelings about Almost English. I did not like it, in fact, I have some harsh criticism to do, but the prose was addictive. I read this book in a few sittings, I really wanted to be by their side and see how Marina and her mother dealt with everything. Also, the fact that it is divided into chapters and those chapters focus both on Marina and Laura and change perspectives, makes a very easy reading.

Now, time for some harsh criticism. Almost English is a book about women, written by a woman. The main character is no doubt Marina, followed very close by her mother, Laura. But, for a book written by a woman, focused on women and with a clearly young female target audience, there are some covert ideas that horrified me. For example, Marina who is seventeen, is constantly struggling with her body which is usually described in negative terms and, due to her physical features as “foreign” meaning she does not fit the “English stereotype” which is a beautiful, blue-eyed and blonde girl. First of all, I refuse to believe there are no dark-haired, beautiful and typically English girls. This is no place to discuss, but Kate Middleton and her much-envied dark hair comes to mind. As a consequence, Marina does not belong, neither culturally neither physically and she is in constant need of validation: a male validation. In the whole novel, there is not a single positive view of a female body since the same happens with Laura. Although I do recognize some of the struggle, I believe it is very much exaggerated and more than helping to a coming-of-age female audience, it would do more harm than anything.

Regarding female-male dynamics, Almost English also has some serious problems: Marina and Laura enter relationships where they only feel guilty. There is a constant association of sex with a feeling of guilt and dirt, something either Marina or Laura should have not entered into. As if sex was something not meant for them, as women, something they do not deserve. Actually, Marina feels she is betraying her family all throughout the novel, but this feeling peaks as she enters a relationship and lies to her family about it – as many teenagers do – and ends up holding herself responsible if anything bad happens to her family. It would be her fault if they died because it would be come directly from her lying. As a consequence, she enters into an obsessive, delusional and irrational behaviour even more complex than that in The Bell Jar.

But the book has some really good points too. I was really interesting on how it was to grow up with a foreign family, being yourself English but not feeling as such. It is one of the most common problems associated to descendants of migrants: they do not belong to their family’s culture neither do they feel they belong to the country they were actually born in. This happens to Marina all the time: she’s not recognized as English, she does not feel English, yet at home she’s foreign too. She does not “speak with an accent” as her grandmother and grand-aunts do. Marina is in what is called an inbetweeness: she is neither Hungarian nor English and she feels the need to belong, but she struggles to find her place. This situation presents a lot of psychological and identity problems and they’re perfectly portrayed in Almost English, beginning with the title.

So, would I recommend Almost English? I’d do if you want to focus on the migrant part. But regarding women in literature and how they are portrayed, I think this book presents a very poor image: women are helpless, they’re usually crying, desperate and subjected. They’re in a constant search for male validation and have a negative view of their own bodies and their sexuality. Of course, there are people like this out there and every author is free to write about it, but I got angry – really angry actually – reading this excerpts. Not my kind of book in that sense.

Top Ten Books I Thought I’d Like more/less Than I Did

23 Apr

First of all, Happy Book Day, everyone! Today, in Spain, to commemorate the death of two great authors: Miguel De Cervantes and William Shakespeare, we celebrate Book Day. Some special readings are scheduled in big cities, as well as contests some promotions. But what makes this day special is we get to celebrate we have books and everything related to them. I myself will buy a book at a local bookshop today :)

Back to the TTT Feature. Here we go!

TTT3W

Top Ten Tuesday is an original feature/weekly meme created here at The Broke and the Bookish. This feature was created because we are particularly fond of lists here at The Broke and the Bookish. We’d love to share our lists with other bookish folks and would LOVE to see your top ten lists!

I’ll divide this one into two: the five books I thought I’d like more and the five books I thought I’d like less.

BOOKS I THOUGHT I’D LIKE MORE

1. Little Women by Louisa May Alcott

I loved excerpts from it, but mostly, it got on my nerves. How a woman had to be and how they suffered to fit into a description that aimed at perfection – from a man’s point of view -and was practically impossible was just too much.

2. The Year of the Flood by Margaret Atwood

I thought I’d like everything about this book, but as you know I’m a not a big sci-fi fan. Totally my fault.

3. Arthur and George by Julian Barnes

My professor recommended this one to me. It was dense and slow and although I like the idea of the book now that I’ve already read it, it was not easy.

4. A Question of Identity by Susan Hill

I had no idea Susan Hill had a detective series which I thought I’d love, but it was not really my cup of tea. I think had I red the previous installments, I’d had enjoyed this more.

5. Cloud Atlas by David Mitchell

This simply didn’t work for me in that inexplicable way sometimes books don’t work.

BOOKS I THOUGHT I’D LIKE LESS

1. Postmortem by Patricia Cornwell

I knew I was going to like it, but not that I’d become an addict to Cornwell’s novels in complete admiration for Dr. Kay Scarpetta.

2. Howards End by E.M. Forster

The prose in this novel is more beautiful than you can imagine and the quirk Schlegel sisters more fun than you would think.

3. Death Comes to Pemberly by P.D James

I didn’t like Pride and Prejudice at all but James twisted their personalities and the plot to make a perfect postmodernist revision of Elizabeth and Darcy’s romance.

4. Alias Grace by Margaret Atwood

I love Atwood so I thought this one would be great, but it was more than that. It is one of the most complex and richer novels at a psycholigical lever I’ve ever read. A masterpiece.

5. When Will There Be Good News by Kate Atkinson

My professor first told me about Atkinson three years ago. I decided to try this one and I don’t think I’ve experienced this immediate love for a book since I discovered Sherlock Holmes when I was 11.

All That Remains

20 Apr

The following is a SPOILER-FREE review.

All That Remains (1992) by Patricia Cornwell is the third novel in the Kay Scarpetta series. I first heard of this novels via Criminal Minds and last Christmas I got as a present the first two novels, needless to say, I adore them. They are extremely addictive yet Kay is a strong, inspiring and deep main character. So, last week in the midst of some dissertation chaos and a tummy bug, I decided to read All That Remains. It took me three readings and put me through the week.

Patricia_Cornwell_-_All_That_Remains

In All That Remains, Kay Scarpetta faces one of the most difficult cases of her career. For two years and a half, teenager couples driving through Virginia have been taken out of their cars and killed miles away, just for their bodies to be found months afterwards. This has affected her reputation as medical examiner, with the media questioning her capacities. But the last of the cases, the one that opens the novel, is different. One of the victims is the daughter of an ambitious, Republican politician known as the Drug Czar for her crusades against drug trafficking. This will only add up to Kay’s already stressful and unfair situation.

As you know, I adore crime novels and Patricia Cornwell’s are the perfect mix of commercial, easily fiction with a complex main character and the reputation of being the creator of the forensic science trend that ever since has percolated to TV with shows as famous the CSI Series. Like the previous ones, this is also very addictive – I actually read more than 200 pages in one day because I found it impossible to put it down. Conrwell’s prose has a quick pace and cliffhangers are very common in the ending of chapters, making it the perfect one-more-chapter novel with which to stay up reading til 2 a.m.

The case reminded me very much of the Zodiac Killer. If you’re familiar with crime fiction, the Zodiac Killer case is as famous as a case can be, usually featured in other crime fiction productions and especially on TV. There is even a great movie starring Robert Downy Jr that I highly recommend if you’re interested in the case. Basically, The Zodiac Killer killed couples inside their parked cars in Northern California in the late 1960′s and early 1970′s. His identity still remains unknown and has been the source of several both fiction and non-fiction works since the crimes were committed.

The fact that Cornwell chose a similar MO was very interesting and threw a lot of light into how the FBI and police officers approach these cases. I was surprised by the many layers of jurisdiction – just a fancy word for “secrecy” – can be in such investigations and how biased is the information someone as important as a medical examiner can get. However, it should be noted that the novel dates from 1992 and the procedures, techniques and technology used are very much outdated nowadays. One of the things that strikes me the most is the total freedom everyone enjoys regarding smoking. Seriously, Kay may be conducting a postmortem and detective Marino would me smoking all around her and the corpse. This is incredibly surprising for me – a child of the very, very late 1980′s – but I guess it still seems pretty normal for people who were adults at the time the novels were published.

Finally, I do recommend All That Remains as much as I recommend any other Kay Scarpetta novels. I think they are perfect when you’re looking for an easy read yet they are complex enough not to be considered beach reading. Kay is a very complex character and key feminist issues always appear in relation to her life: how a woman had (we still have, though) to work harder than a man and the constant scrutiny that comes from having an important job and also the hardships of finding balance between professional and personal. She is also very empowering in that she’s always working hard, sleep-deprived and sometimes forgets to eat. Sadly, we’ve all been there, right? So it comes as a relief to find other women who face even greater stress!

Top Ten Books I had To Get, But Are Still Sitting On My Shelf Unread

16 Apr

After some months quite out of The Broke and the Bookish’ Top Ten Tuesdays, I’ve decided to return with a theme that has recently hit home thanks to Adam from Roof Beam Reader: my TBR pile.

TTT3W

Top Ten Tuesday is an original feature/weekly meme created here at The Broke and the Bookish. This feature was created because we are particularly fond of lists here at The Broke and the Bookish. We’d love to share our lists with other bookish folks and would LOVE to see your top ten lists!

Many of you have joined the TBR Pile Challenge and I admire you for it. I didn’t join mainly because I like to keep my reading free since I tend to follow a lot of schedules and rules in other parts of my life. Adam kindly invited me in today and although I refused, it felt great because it reminded me I’m part of a community with the same problem: piles of unread books.

I must admit the original title of this Top Ten Tuesday was “Top Ten Books I HAD To Buy” but I changed it because many of the books I’ll be mentioning are review copies or gifts from those who support my addition, especially my wonderful man. So here they are!

1. Z: A Novel of Zelda Fitzgerald by Therese Anne Fowler.

9781250028655_custom-4188299bd401473127a3e1bf8d1ea1aad9b50518-s6-c10

2.The Robber Bride by Margaret Atwood

6a00d83451bcff69e201538e3b8c80970b-300wi

3. A Room of One’s Own and Three Guineas by Virginia Woolf

9780141184609

4. London Fields by Martin Amis

01-Random-House

5. Almost English by Charlotte Mendelson

almost-english-978144721997201

6. Emma by Jane Austen

757218

7. Behind the Scenes at the Museum by Kate Atkinson

0552996181.01._SS500_SCLZZZZZZZ_

8. The Distant Hours by Kate Morton

distant_hours

9. Gone with the Wind by Margaret Mitchell

9781451635621_custom-a69f234a99cb97db6051c1a67738025e5b56bb01-s6-c10

10. When We Were Orphans by Kazuo Ishiguro

28923

Still Reading Anna Karenina

14 Apr

Hello, dear readers!

Richard Emil Miller (1875–1943), American Impressionist painter

Richard Emil Miller (1875–1943), American Impressionist painter

Spring is finally here! It’s warm and sunny and showers show up every once in a while. And I go from loving it to hating it as easy as it gets! These past weeks I’ve been quite quiet. Everything’s fine, I’ve been studying, reading, writing, doing research and enjoying the first spring sunny afternoons with my friends. I’ve been also reading Anna Karenina and I’ve been doing so for some months now. The prose is excellent and I move from hate to admiration depending on who is the character focused in. I love Anna, I think she’s an incredibly complex character and once I’m done and know her fate, will do as much research as I can. But it’s not an easy reading. It is not the kind fo story one needs after spending 6 hours writing. So, after some Twitter talk last night, I decided to read All That Remains, Kay Scarpetta #3, before I continue reading Anna Karenina. Or, maybe to read both books at the same, as I’ve been doing of lately.

I’ve been also watching lots of movies, one of them Thelma and Louise which inspired me to read more feminist non-fiction. I’m doing as much research as I can and taking advantage of my college library. I read The Bell Jar barely a month ago and I’m already craving feminist works. I just cannot understand how there are women out there who do not read works with strong, empowering female characters. It’s so easy to identify with them and to relate to their problems and joys at a deeper level!

I hope you’re all having a wonderful spring! Has the sunny, warm weather affected your reading? :)

The Great Gatsby (2013)

5 Apr

The Great Gatsby is one of my favourite books ever. I love how many layers it has and you get to discover a new one every time you read it. I’ve already read it about three times and this year, I’m certainly re-reading it.

Romeo + Juliet is one of my favourite movies ever. Everything just falls into place when it needs to: Claire Danes’ and Leonardo DiCaprio’s acting, the music and above all the colors. Baz Luhrmann made a masterpiece.

So what happens when The Great Gatsby is adapted into a movie by Baz Luhrmann himself? Just imagine.

the-great-gatsby-poster1

I’ve been waiting for this movie for a long time, ever since the news that Luhrmann was into the project came out. Then the actors went to Australia to shoot it and there were endless pictures of Leonardo DiCaprio in suits. I know. And then, when it finally got a release date, it was moved almost a year because the 3D was not ready. Now – hopefully – the movie is coming out this May and I’m overexcited. For everything, even the fact the movie does not seem to resemble what I remember about the book in a literal way. Check the trailer:

When I first saw it a few weeks ago I said Mr. B&R: “You know? I don’t know how I feel about all this!” Now I know. I love it. I’ve seen the trailer three times in a row and I’m sold. First of all you need to know I love Luhrmann’s aesthetic: everything is colorful, everything is bright. I’m more than fine with that. I also enjoy Leonardo DiCaprio who has turned out to be a better dramatic actor than everyone expected. Of course, I love the story because I love the original work by F. Scott Fitzgerald. I actually have Gatsby printed all over a T- shirt! So, basically I had two problems:

1)  I didn’t see Carey Mulligan as Daisy and

2) Where did those steamy scenes come from? Wow.

I still haven’t worked out if I like Mulligan mainly because I’ve always thought Daisy was a really complex and dark character hidden under an appearance of sweetness and wealth. And Carey does have that sweetness look, too sweet in fact, let’s wait to see the movie to judge if she can pull it. Regarding the steamy scenes, it’s all worked out. It’s a Hollywood movie and it needs to sell well, incredibly well, actually. But as someone who’s read the book I didn’t see the typical steamy scenes. I saw the desperation I felt every time I thought Daisy was maybe giving in to Gatsby and she wasn’t. They also come from the hidden desires of millions of readers through the years who’ve wanted her to give in, making Gatsby happy. Yes, Gatsby is more than a love story, I know, but it is the exploration of such a dark, twisted and desperate view of love that attracts me to the book every single time and every single time I get the same feeling. And the trailer really gave me that feeling. I hope the whole movie amplifies that a million times.

If apart from books you also like music, pay attention Lana del Rey’s Young and Beautiful song in the trailer. A dreamy combination!

Follow

Get every new post delivered to your Inbox.

Join 270 other followers

%d bloggers like this: