Waterstones Killer Crime Festival

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Waterstones and Harper Collins are organising a very interesting event – both physical and online – for crime fiction fans, readers, authors and publishers. The Festival will take place on Friday, 13 March 2015 at 14:00 and Saturday, 14 March 2015 at 20:00 (GMT)

Books & Reviews has been asked to participate as a blog, but I will keep you posted on upcoming surprises ;)

Meanwhile, you can find more information here.

Disclaimer by Renee Knight

I first heard about Disclaimer by Renee Knight as I usually do: on Twitter. Agent Felicity Blunt and publicist Alison Barrow started an amazing campaign: What if the book you are reading werte actually about you?

Disclaimer by Renee Knight - review

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Catherine Ravenscroft is a middle-aged woman who, apparently, leads the most normal of lives. She has a husband and a child, she has a job that she loves, and she likes reading. Now that her child earns his own living, she has just moved to a new, smaller house with her husband. In the chaos that comes with moving, she finds herself reading, The Perfect Stranger, a book she does not remember buying, neither does her husband. Imagine her surprise when the story is actually hers, and only hers. No one, she thinks, knew anything about it. Until now…

The premise for Disclaimer is perfect, especially for book lovers. We usually find wisdom, solace, and many positive things on books, but what if those beloved books turned into our worst nightmare? However, I could not sympathise either with Catherine nor with her story. You all know I like reading about unlikable female characters, and Catherine had many features that would have made her an amazing main character. But there was something that did not work for me, even now, . Eventually, when the truth comes out, Catherine emerges as a strong, very wise woman, but this process is a journey, and that is what Disclaimer is about.

Because I do not want to spoil the mystery side of the book, I will not say anything more. This is just a disclaimer that Disclaimer is more a psychological portrait of Catherine than a fast paced mystery. Knight takes her time to weigh on motherhood, marriage, sex, and the many burdens that women face. What makes you a good mother? What makes you a good wife? What makes you a good lover? And most importantly, who gets the privilege to judge you? It was this side of the book – the one that explores the sudden transformation by which middle-aged, white, middle-class women become less reliable and less important than younger ones – that made me give the book three starts at Goodreads.

Disclaimer by Renee Knight comes out on 9th April 2015.

 

Exclusive Interview with Rebecca Scherm, author of Unbecoming + Free Book Club Kit

As many of you know, I loved Unbecoming by Rebecca Scherm. Her debut novel ponders on love, identity and what it all means when you are a young woman. So, I contacted Rebecca and she kindly agreed to answer some questions for me. Plus, Annie Harris from Penguin has allowed me to share this beautiful Book Club Kit with you all – click here to download it. I hope you enjoy it.

1. We could say Unbecoming is an identity thriller, because Grace’s identity becomes the main mystery in the plot. Where did the idea come from?

I grew up watching Hitchcock films and reading noir fiction, and I held in my mind these two feminine types: Grace Kelly as the Hitchcock blond, virtuous and poised, helpful and well-behaved, well brought-up; and the noir femme fatale, who is really more of a plot device than a person. Her motivations are always very simple. And as I got older, I began to rebel against these types, and I started to wonder about the possibility of the Hitchcock heroine and the femme fatale being one very complicated, very real woman. How did she become who she is?

Grace Kelly and Alfred Hitchcock

Grace Kelly and Alfred Hitchcock

2. Grace is one of the most complex and most realistic characters I have encountered, and certainly a very interesting one. She has ambition, she has passion, she’s a sexual being, but she’s also confused, lost and angry at times. How did you negotiate both sides of her while –at the same time – making her inspiring for readers?

Untangling the psychological knot of a character’s identity is what compels me to write fiction. It would be much easier, sure, to write someone less at war with herself, but that wouldn’t hold my attention! I was always trying to understand her: as a writer, my ambition is to empathize with people or characters who are very, very different from me. There are moments in the book when I’m rooting for Grace and moments that I’m just livid with her, as there will be for most readers. And all our moments will be different, I expect, depending on how we see the world and what we ourselves have experienced.

 3. Love and the desire to be loved play a key role in the narrative. Why did you choose to write such a story around emotional wants and needs?

 Our lives are defined in moments where our emotional wants and needs are in conflict with each other or with our practical wants and needs. These are the moments where we make big, life-altering decisions—to break up, to move, to change jobs, to quit, to lie, to buy something, to make a promise. Unbecoming is very much propelled by those intersections and conflicts, which don’t always make sense to the people around us. But that’s just because they can’t really read our whole stories, not like we can—and that’s where fiction comes in. Mary Gaitskill said in a talk once that reading fiction is the closest you can get to living inside another person for a while—I call it “zipping on someone else’s human suit” to my students—and that emotional experience, both as a reader and writer, is what interests me.

4. Eventually, Grace highlights we are all in charge of our identities, and we can actively construct them. It is a hopeful and very open-minded to approach life. Tells us more about where this philosophy comes from.

 Well, I think we do construct our identities, consciously or not—and our failures to control our identities are part of that. Think about how you present yourself in a job interview as opposed to how you present yourself (ha!) on a Friday night with very old friends. Grace’s identity has more public-vs-private friction than most of us have, but we all know what it feels like to transform yourself for a specific audience or environment, even if it’s just a little tweak on social media, at a party, at work.

5.Learning what makes you happy rather than what you thought would make you happy seems to be Grace’s happy ending. But, it is a process, and reading Unbecoming reflects that process of learning and the acceptance that comes from self-knowledge. How did you achieve this?

 Ah, yes, we say “be true to yourself,” but what if the “yourself” in question is someone dangerous? Without giving too much away, I was railing against our expectations of a classic “redemption” narrative, where bad acts are punished or the doer-of-bad-deeds repents, settles down, vows to be good from now on. Well, Grace vows to be good often in the book, and we see how that goes. For me, a realistic “redemption” for this character meant that we catch her in a moment where she sees herself clearly. And for a character so hard to pin down, who resists revelation about herself, that glimpse can only last a moment. But I was always trying to catch her there. It wasn’t easy.

Thank you very much to both Annie Harris and Rebecca Scherm for collaborating with Books & Reviews. Unbecoming was published in the US on 22nd January 2015. 

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Still Missing by Beth Gutcheon (Persephone Books)

Despite my love for feminist literature and women writers, I had never bought a Persephone Book. In case you do not know about them, Persephone Books ‘reprints neglected fiction and non-fiction by mid-twentieth century (mostly) women writers.’ You can check their catalogue here, or do like I did and follow them on Twitter. Back in September I wondered if they had some review copies available of crime fiction writers, and they kindly sent me Still Missing (1981) by Beth Gutcheon.

Still Missing by Beth Gutcheon

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‘You could hardly get to age thirty-four without learning something about loss. By thirty four you’re bound to have lost your Swiss Army knife, your best friend from fourth grade, your chance to be the centre forward on the starting team, your hope of the Latin prize, quite a few of your illusions, and certainly, somewhere along the line, some significant love.’

Still Missing tells the story of Susan Selky, successful professor of English literature and feminist, whose son, Alex, goes missing on his way to school one May morning in Boston. He only had to walk a few blocks, and there were other mothers who would keep an eye on him, but on a fatal morning, Alex disappeared into thin air. When Susan arrives home from work in the early evening and Alex is not home, she does not worry. Bad things always happen to other people, don’t they? So, she performs some daily tasks until an hour has passed and her son has not gotten home. Where is Alex? From this moment on the novel explores the anxiety, grief and confusion that comes from losing someone you love, especially when there is no closure. And especially when the recently separated mother was in charge of the child, when her husband was at his lover’s flat. And when that mother has a successful career, never loses hope and is determined to be believed, not to be drugged, and to take control of the situation.

I started this novel last December, but it was not the right time to read it. So, I left it on my desk and decided to give it a try after I got over a very bad reading slump. And it worked. It took me 4 evenings to read the book, even though I was busy and there were other things that needed my time and my attention. Still, I wanted to spend more time with Susan Selky, because – as it happens in real life – anxiety and grief lead to a momentarily joyous obsession. It is not that usual in crime fiction to tell the story from the family’s perspective, although Gutcheon also included glimpses into Detective Menetti’s life, both as a detective and as a father and husband.

But, above all, Still Missing is a character study of 1980’s Boston. At the time, women were successfully entering powerful positions, and they were dealing with the consequences of doing so in a patriarchal society. Susan is a much better professor than her husband, and when her book got better reviews than his, she tried to minimize the praise, to minimize the impact on his feelings. The Selkys are also separated, and they have an amicable relationship in lieu of Alex, a family situation that was being normalized at the time. Meanwhile, they have a friend, Jocelyn, who is a Southern single mother and takes pride on being a liberated woman, sexually speaking, and a French homosexual cleaner who loves fashion, beauty tips, and endless sexual encounters with unknown men. As you can see, it is quite a mix of stereotypes, that somehow represent social groups that would be stigmatized and marginalized in the 1980’s. I found the police’s comments on homosexuality quite revealing, yet offensive. AIDS panic had not yet reached the streets, but homophobia was already spreading quickly.

Beth Gutcheon’s novel has been neglected, even though it reads quickly and is an anthropological, social and emotional study on 1980’s Boston. I would highly recommend Still Missing to any crime fiction fans who are looking for a different novel and do not mind it is quite dated. Because this is one of those novels where there are no DNA, no mobile phones, and no computers. Old school crime fiction at its best.

Giveaway: Unbecoming by Rebecca Scherm (US and Canda ONLY)

The lovely and generous Annie Harries from Penguin USA has given me ONE copy of Rebecca Scherm’s Unbecoming to give away. As you probably remember, I loved this book – read my review here – but so did some other writers we admire:

“From the first page, you know Rebecca Scherm is the real thing. UNBECOMING is an assured exploration of the intricate, intense, risky processes that go into creating identity—and into dismantling it.” —Tana French

“Rebecca Scherm’s extraordinarily confident voice and style, this novel’s depth of detail—great characters and a terrifically engaging plot—are a sheer delight to read. There is something very fresh and captivating about this book and best of all I had no idea what was going to happen from one page to the next.” —Kate Atkinson

Rebecca Scherm's Unbecoming giveaway

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Books & Reviews is giving away ONE copy of Rebecca Scherm’s novel Unbecoming. Please read the following rules before entering:

  1. You must be +18 or have your parents/tutor consent to entering this giveaway.
  2. You must live in the USA or Canada.
  3. Entries are open from the 9th of February (2014) to the 14th of February (2015) at 9.30 a.m (BST)
  4. If the winner does not reply in 72 hours after being contacted via email, another one will be chosen.
  5. To enter, just leave a comment below.

Best of luck to everyone entering!

Cause of Death by Patricia Cornwell

After the heart-breaking disappointment of From Potter’s Field (Kay Scarpetta #6) by Patricia Cornwell, I thought I had finally reached that stage in the series when the pop-corn quality of the stories turned unbearable, and unreadable. However, Mr.B&R had given me the two next titles on the series, and I decided to give Cause of Death (Kay Scarpetta #7) a try after a disastrous start of the year that left me needing some autopsies, and some pop-corn reading.

Cause of Death by Patricia Cornwell

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Cause of Death takes Doctor Kay Scarpetta to the Southern, Virginia setting where we first met her. I was really glad to see her back to a place where she feels she belongs in, and where she has quite a lot of power. However, despite being Virginia’s chief medical examiner, Cause of Death explores the many ways in which the masculine institutions Scarpetta deals with can, and actually do, discriminate against women. When she first approaches the scene of the crime she is stopped by a young policeman, and she has to prove him she really is who she says. When she finally arrives, she sees herself caught on a jurisdictional war between the Navy and the Chesapeake police department, none of which accept her authority. Later on, she is even sexually harassed by a young policeman who would later claim that desperate, middle-aged Kay actually tried to hit on him. So, if there is a novel in the series that explores gender, age and authority prejudices this is it.

The crime was also very interesting, and I could not glimpse the outcome at any moment. On New Year’s Eve an investigating reporter is found dead at the Inactive Naval Ship Yard in Chesapeake. Scarpetta is there covering for a colleague on leave, when she received a very early call about a fatality, but a later call will prove that no one from the police department had notified her before. So ,who did? Because I do not want to give away anything, I can only say that Cause of Death is quite a political crime novel, where Cornwell’s moderate Republican ideals come through. However, I have to add that she presents them in a very respectful way, and despite my not agreeing to some of these political beliefs, I never felt uncomfortable.

So, yes, I would recommend any reader of the Kay Scarpetta series to keep reading even though From Potter’s Field is not that good. Cause of Death is, and Cornwell brings back the powerful, resolute, and inspiring Kay that we love.