Interview with Paula Hawkins for Crime Fiction Association

As many of you now know I am also a freelancer writer and an organiser for the Captivating Criminality 4 conference, an annual event organised by the Crime Fiction Association. A few weeks ago I had the opportunity to interview writer Paula Hawkins (The Girl on the Train) yet again for the Association’s blog and we discussed women, crime, and her latest novel Into the Water. To read the interview, click here.

News: Crime Fiction Conference and #PhDLife

As I said last week, big crime fiction news were to be released soon. So, here they are! I am very happy (and proud!) to be part of the Captivating Criminality Organising Team for our  2017 conference Crime Fiction: Detection, Public and Private, Past and Present. This event is part of an interantional effort by the Crime Fiction Association – led by Dr. Fiona Peters from Bath Spa University –  to fully incooporate crime fiction studies as valid and serious research in the Humanities. If you want to learn more, please click here to visit our website. You can also find us on Twitter @CrimeFic, and on Facebook Fb.me/crimefic.

Meanwhile, you can check the programme for our 2017 conference to see how people from all over the world are joining efforts to research crime fiction (*):

http://www.captivatingcriminalitynetwork.net/programme.html

(*) Please note that the programme is still under construction and may be subject to changes

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Big Little News

I am sure you may have noticed that I have been blogging on and off for the past weeks. There is no other reason that… I’m finally moving to the UK! As many of you know I live in Spain, but this blog is a testament of my love for British art and culture. As part of my PhD I have been offered to develop part of thesis in my favourite country in the world. And I’m in awe.

So that is the reason why I have not had much time for reading and writing. A trip like this takes some planning (type A personality anyone?), and one of those plans is to buy some books at Waterstones and second-hand bookshops. Sadly I’m not allowed to join a public library, although I will visit my city’s largest one and beg them to please please please give me some kind of card. Meanwhile, I will post as much as I can, but please bear me with me as I settle down and find the time and space to read and write. And if you have any bookish recommendations please leave them on the comments below. I was planning on not buying any books, but who am I kidding?

Women and the Forensic Thriller

If last week I shared the books that made me a blogger, this week I’m very happy to bring you a little summary of my research. I cannot think of a better way to celebrate International Women’s Day than writing about the women writers and the female characters that inspire me and keep me sane. Thanks to Boring Women for this opportunity. Enjoy! x

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By: Elena Avanzas Álvarez

Every time I tell someone I am pursuing a PhD in the Humanities, it is clear to me that they do not think I am in my right mind. Then I tell them that I am doing this with no fixed income or scholarship to support it, and I can see fear in their faces. But my favourite reaction comes when I tell them I am writing a thesis about forensic crime fiction: ‘Why do you write your thesis about trash/airport/commercial literature?’ And every time I tell them that there is more to crime fiction than CSI. There is even more to CSI!!! And here is why:

Crime fiction has been – along with romance – one of the most popular literary subgenres since the 19th century. People are addicted to crime, especially if it comes from a book, as it appears to…

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Nasty Women: A Collection of Essays + Accounts on What It is to be a Woman in the 21st Century

Nasty Women: A Collection of Essays + Accounts on What It is to be a Woman in the 21st Century by indie publisher 404Ink took the Internet by storm some months ago. The book contains essays by women writers on their lived experience as women in the 21st century. The project caught the attention of feminist all over Twitter, and it was even backed up by Margaret Atwood herself:

‘An essential window into many of the hazard-strewn worlds younger women are living in right now.’ – Margaret Atwood (Twitter

I first encountered Nasty Women through their Kickstarter campaign in which 404Ink aimed to get the book published, paid the 20 authors they had commissioned texts from, and spread their nastiness all over the world. The campaign went viral and it raised £ 22.156, an amount which greatly exceeds the funding proposed by the publishers by a 369%. In an attempt to make my next visit to the UK more interesting I had hoped to buy a book at a local library when I saw they had review copies, and they were being sent to bloggers, and yes, 404Ink would be generous enough to send me one. I could not believe my luck.

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The book covers the complex, and sometimes heart-breaking experience of being a woman in the times of Brexit, Trump, and an economic crisis that has left little time and space for any other issues than money. All the authors make an effort to situate their experience, that is, they acknowledge their race, social class, ethnicity, nationality, family history, gender identity, sexual orientation and even tastes make them who they are. Hence, their stories come from them and do not aim to speak for any collective, they are a subjective approach to a given issue. All of them are survivals of the political experience of identifying as a woman in a patriarchal society, but they choose what to talk about, and why. Some of them self-identify as victims, some others not, but they all have something in common: A desire to keep fighting. Among my favourite topics were social class, the importance of imperfect role models for young women (both famous and familiar!), and the struggle of losing a beloved one and become the next tangible generation.

It is difficult to review Nasty Women as a single work due to the wide range of voices that it contains. The experiences of these women come from other countries and even other times. They have travelled the world, and they have chosen to share their experiences with an audience that is hungry to know more, to learn more and to connect. The book achieves that, but for English-speakers only, as all the women have written their own pieces and they all come from English-speaking countries. However, this tiny blind spot does not take away from the collection as no work is perfect. In fact, the collection covers some silenced issues such as fashion for disabled people, culture from in a working-class environment, and the recovery of traditional female knowledge once deemed ‘witchery’.

Nasty Women is a collection of essays that will open readers’ minds to the complexity of being female and making the political decision to identify as such in a patriarchal society. But above all, Nasty Women will connect the women who wrote it, publish it, and read it. Turning the last page feels like saying goodbye to that group of female friends who you only meet once in a while, but who make life better. And in order to keep them heard and heard, it is necessary to remember their names (in alphabetical order): Alice Tarbuck, Anna Cosgrave, Becca Inglis, Chitra Ramaswamy, Christina Neuwirth, Claire Heuchan, Elise Hines, Jen McGregor, Joelle Owusu, Jona Kottler, Kaite Welsh, Katie Muriel, Laura Jane Grace of Against Me! (in conversation with Sasha de Buyl-Pisco), Laura Lam, Laura Waddell, Mel Reeve, Nadine Aisha Jassat, Ren Aldridge of Petrol Girls, Rowan C. Clarke, Sim Bajwa, and Zeba Talkhani. And these are their faces:

[L-R] Anna Cosgrave, Nadine Aisha Jassat, Sim Bajwa, Aiice Tarbuck, Becca Inglis, Chitra Ramaswamy, Christina Neuwirth, Claire Heuchan

[L-R] Anna Cosgrave, Nadine Aisha Jassat, Sim Bajwa, Aiice Tarbuck, Becca Inglis, Chitra Ramaswamy, Christina Neuwirth, Claire Heuchan. From 404Ink.

[L-R] Jen McGregor, Joelle Owusu, Jona Kottler, Kaite Welsh, Katie Muriel, Laura Waddell, Mel Reeve, Zeba Talkhani

[L-R] Jen McGregor, Joelle Owusu, Jona Kottler, Kaite Welsh, Katie Muriel, Laura Waddell, Mel Reeve, Zeba Talkhani. From 404Ink.

Nasty women is set to become THE non-fiction book of 2017 thanks to the complexity of every essay, and the importance of the topics covered in a time when being other than a white, middle-class, Western, abled, cisgender man has become a political act of rebellion against the status quo.

Nasty Women is published by 404 Ink on International Women’s Day, 8th March 2017. You can pre-order your copy directly from the publisher here.

Thanks to Heather McAid and Laura Jones for the collection, the review copy, and the many conversations on Twitter. #NastyWomen.

Readings of Lately

Before I posted my Dolores Redondo review last week I realised that it had been a month since I had last written anything for the blog. I realised that a few weeks had gone by pretty quickly, mostly reading and writing and trying to read and write a bit more for the blog. However, I just ended up reading lots, and writing lots… for my PhD. My reading patterns have been erratic to say the least, with Saturday afternoon binge-reading sessions, and less than 15 minutes devoted to reading from Monday to Friday. The fact that I love crime fiction but have decided to make a job of my passion is not helping either, as I usually find myself looking for a non-crime read during the evenings. So, here’s what I’ve been trying to do:

I visit my local library every week browsing the Spanish literature section in search for my next read. I am not well-read in Spanish literature. Actually, I’m not well-read in Spanish at all. Even though I have read some feminist classics such as Nada by Carmen Laforet and Las edades de Lulú by Almudena Grandes I can’t really think of more books that I would enjoy (recommendations VERY  welcome!). Last week I borrowed Isabel Allende’s La casa de los espíritus (The House of the Spirits) in an attempt to discover Latin American magical realism and I miserably failed at reading the book. Or even opening it. I’m giving it another try in a week.

Also from the local library I am giving a try to best-sellers in English – now translated into Spanish – that I am not sure I would enjoy. After learning a bit about romance from C, a professor that I connect with during my degree, and from Wallace Yovetich from Book Riot, I decided to give romance a try. I thought it would be a good exercise to try to separate what I have been conditioned to enjoy as woman in patriarchal society and my feminist awakening. I borrowed L.S. Hilton’s Maestra and as I write this, I’m considering returning it to the library…

For my PhD I have been reading American crime fiction and crime fiction theory, as well as working on a few articles and projects which I’ll share in due time.

So, this is what’s been going on behind the silence of the blog. I hope I get to reading crime fiction soon, and meanwhile it is lots of TV, walking the Puppy and sleeping in my little free time.